Why Does the Flying V Guitar Pose Challenges for Some Players?

The Flying V guitar is not just an instrument; it’s a rock and roll icon. Known for its striking design and bold aesthetics, the Flying V captures attention on stage. Yet, despite its allure, many players encounter specific challenges that affect their playing experience. In this post, we will explore the reasons why the Flying V might not be the perfect fit for everyone, focusing on factors like ergonomics, weight distribution, playing styles, intimidation, and financial implications.

Ergonomics and Comfort

Earlier this week I wanted to buy a Gibson Flying V. I wanted to so bad but after playing it for a couple hours, my wrist was absolutely killing me. One of the first things that strike guitarists when they pick up a Flying V is its unconventional shape. Unlike a Les Paul or Strat, the V shape does not easily rest against the body. For instance, the way that you have to hold a Flying V when sitting down is awkward because the neck points upward due to straddling the guitar between your legs. This resulted in my hand fretting the strings at a sideways angle and ultimately, putting stress on my wrist. Guitarists who are not used to the classic upward neck position may struggle with the Flying V’s angle. I am one of them. I found that a seated playing style restricted mobility, making it hard to position my hands naturally. This discomfort did not hinder my performance, but it made my hand feel like my dog chewed on it for two days afterward. Side note* I do have bad wrists.

Check out this link for a short of the V I almost bought..

Weight Distribution

The unique design of the Flying V contributes to some odd weight distribution. Many players prefer guitars that sit securely against their body without constant adjustments, but the V shape’s weight distribution can make controlling the instrument difficult while standing.

Additionally, headstock weight can make the guitar tip forward, leading to fatigue during extended sessions. I hear lots of people say this about the Gibson SG too but noticed it with the Flying V. Some players even describe this feeling as if they are "fighting" the instrument rather than playing it. The discomfort from improper balance can make the Flying V less appealing for those looking for a reliable, easy-to-handle guitar.

Specific Playing Styles

Every guitarist develops a unique playing style, and the Flying V may not suit everyone. For example, fingerstyle players or jazz musicians, who often require intricate finger movements, may struggle with the V's shape and limited surface area.

Though the Flying V shines in heavy metal and hard rock genres thanks to its aggressive aesthetics and ease of shredding, its design may not be for everyone. This can lead to frustration during practice and performances, prompting musicians to seek out instruments that better align with their creative control.

Intimidation Factor

The dramatic appearance of the Flying V can be intimidating, especially for beginners. Its crazy design demands a sense of authority that some may feel slighted by. Most people that I ask if they like the Flying V guitars say that they look cool but are too nervous to play them let alone buy them. This pressure can deter many from even trying the Flying V, as they feel they must possess the skills to shred on them.

In contrast, instruments that resonate with a player's personal style can boost confidence and creativity. The Flying V is so punk rock! If you like it, go for it! Overcoming this intimidation requires a want to experiment with different guitars, which many players may hesitate to do.

Final Thoughts on the Flying V Experience

While the Flying V guitar holds a special place in the hearts of many musicians (myself included), it comes with challenges that may not suit every player's needs. Factors such as ergonomic fit, weight distribution, playing styles, feelings of intimidation, and financial considerations all play a role in the discussions surrounding this iconic instrument.